Have you ever left some masking tape taped onto something and came back after a month? I’ll tell you what happens… it unsticks and curls on itself! Poor Odrajux was in the coveredinmaskingtape state when I left him. When I came back from my trip he looked like an unrecognisable party mummy. So after making the new tongue, I gave him a nice coat of paper mache to get the tape back where it was meant to be stuck. I just used kitchen roll for that.
Now that he was fine again, I began working on the supports for the ear membranes. This time, I’ll be showing you more in detail how I do it. Basically, I just measure how long they need to be and cut strong steel wire adding about 3 more centimetres. Then, I tear lengths of newspaper and roll them around until I get the desired thickness. To secure it, I wrap tape all around each “stick”. The good thing about this, is that they remain fully flexible, and I can bend them as I please on the piece. Once I like how they look, I use hot glue to stick them in place. After double checking everything is alright, I cover them in paper mache (newspaper). This not only helps the tape to stay in place, but also makes gluing cloth and painting them a lot easier. Also it looks a lot nicer! Check the pictures:
Right. So I know a number of you has been concerned about how “shoddy” his face looks, since at this stage with the other trophies I’ve shown in the past, their faces look a lot more neat and complete. The thing is, I’ve been experimenting with a different process, because I find that using only cloth for the face is not only very time-consuming, but it’s also difficult to get right, since I like to cut only a few big chunks of the perfect shape to fit large surfaces (as opposed of using a lot more smaller pieces that would look a lot worse). By doing this, I waste a lot of time and cloth, and it’s not very customisable anyway. So this time, I got myself some paper pulp and more Das clay. I know exactly what I want to do, so we will see if it works or not.
I’ll show you what I’ve done so far, which is adding some structure with aluminium foil and paper pulp paste, covering some areas with cloth, and adding the neck scales. I found that covering aluminium with paper pulp helped a whole lot, since fabric mache sticks to the paper paste and not to the aluminium foil, which is often problematic. Also, I can smooth out the texture so the texture of the fabric looks smooth instead of having lots of tiny spikes and bumps. It’s a bit more costly, but I think it’s totally worth it, so I will probably keep on doing this kind of thing this way. Now the only things missing before adding the horns and the clay are the cheeks and the membranes. You’ll be seeing that soon though!
An old steel dragon hailing from another plane. She's been living among humans for a while now, learning about them and using her artistic talent to make recreations of relevant draconic figures from her homeland. Her aim is to teach humans about her kin and learn about them in return.
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