Cheeky! I discovered a trick to make some mache stuff not stick to things. Why would you want to do that, you ask? Well, I decided to do the mouth side membranes with this new material I spoke about a few posts ago, but the thing with that is… it’s very fragile. After some experiments I realised that it just breaks if you try to pull it loose after it’s dry. So what I did was put some masking tape where I wanted it to be loose, and it worked great. This way, I was able to paint inside of the cheeks without ruining the mouth (breaking fangs, painting things accidentaly…). Check out the pictures!
After the paint was dry, I glued both ends and it was done. The mouth is looking pretty good, don’t you agree? I don’t have pictures of this, but to give the face a bit of shape, I used an experimental mix of PVA glue, paper pulp, flour and gypsum. It wasn’t awful, but it wasn’t the best either… the “recipe” definitely needs some tweaking. I also made the horns with Fimo -as usual- and I shaped them in a way that would fit the piece perfectly. If you look at the pictures you will notice they just follow the lines of the “flesh”. Normally I glue the horns after I do the skin, but I decided to do the opposite this time because of how I made the horns “click in”. I thought it would look a lot more natural doing it this way. I hope I’m right!
Today I’m showing you in detail how I make the tongue of a trophy. I don’t think I will need to explain much, since all of the pictures are pretty self-explanatory. I always cut a bit of galvanised steel wire and cut it to shape. This helps me stick to the right size, and if I don’t do this, there’s a chance the tongue will be too big or too small. This is going to be a very fleshy tongue, so I made the chunky bit that goes underneath by wrapping a ball of newspaper in tape, and then wrap more newspaper all around the wire. Once this is done, I secure everything with tape before covering it all up with paper mache. Then, all is left is just to paint it and varnish it. I made a very elaborate post on how I paint tongues while making Odrajux. Click here if you’re interested in checking that out.
I hope that helped. Now moving onto the eyes! After some testing, I found a little trick that will help if you paint or print eyes and then glue that to cabochons. The problem with this is that it’s very easy to ruin them due to all of the moisture that filters in while applying glue or paint. BUT! I found this material I bought ages ago and barely used and did some experiments. It’s Mod Podge’s Dimensional Magic. It’s a very runny white fluid that dries clear and keeps a bit of volume. So what I did was lie the paper eyes on top of a single laminating sheet, then apply the Dimensional Magic to the back of the cabochon, and then press it down on each eye. It worked like a charm! Also, I don’t know if it helped much, but I did give the black areas a layer of acrylic paint so it would be extra-dark. So maybe that helped the ink stay in place? I’m not sure. Anyway! I’m pretty happy with the results. I will publish another update soon. Working with clay, paper pulp and glue is a nightmare when it’s this hot. What a hellish week!