Yay! The time has come to test the silicon mould and the clay mix. First of all, I dampen the surface with water and glue. In my experience, doing this prevents the excessive drying of the clay on one side, and thus, chances of cracking will be very low. The layers cloth and newspaper absorb A LOT of moisture very quickly, it happens when painting with acrylics too. Also, I had to do it because I needed to smear the clay into the cloth around the borders so it blended well into the cloth area, instead of looking like a chunk of something smooth on top of something different, if you know what I mean.
I added the clay onto the forehead first, then the left side and then the right. After that I went ahead and tried the silicon mould. I gently placed it over the areas and pressed down firmly. I had to do some manual adjustments and fixes, as the “joints” were very obvious, and some parts didn’t take the texture because I didn’t press enough, but that didn’t take me long. Here are pictures of the process:
The excitement! Why am I excited? Because I’ve been waiting for two weeks to do this. As I showed you in the previous post, I found the perfect combination of air-dry clays that will allow for a shock-proof, non-shrinking, detail-grabbing surface. And so I bought some ridiculously overpriced (£6 for 50g of the stuff) two-part silicon to make a reptile-like scaly skin mould to use on it.
So I started by carving into a flat square of clay the pattern that I wanted to make a mould of and let it dry. Once cured, I sanded it with a high-grit sanding paper (very smooth), added some final touches and finally gave it a good rub with denatured alcohol. Once the alcohol was completely evaporated (very important, as it could stick to the silicon), I ointed the whole thing with a mix of Vaseline and mineral oil and proceeded to mix the silicon. It started to set VERY quickly, so I pressed it well against the piece and let it settle. It took less than five minutes to cure. I removed the silicon and cut the borders and bits that were stinking out… and voilà! I got the mould.
Who can say when the postman will bring the supplies you ordered? Only time. Humans seem to know their planet really well. They’ve made a lot of advances on the logistics field, but even still it usually takes a long time to transport something across an ocean. I’m told the waiting times now are nothing compared to what they used to be. I guess I believe that, it makes sense. This world is so immensely vast, I can’t fathom the concept of travel when they talk about these kind of distances. It would be most educational to go somewhere really, really far away. Not on a plane though. Apparently being a plane is like being stuck in a sort of limbo, where you have no idea of where you are in comparison to Earth and you don’t know how fast you are traveling either. It really doesn’t sound very fun… but I’m set! I need to set off on a trip (by land) one day.
My apologies for not posting anything in the last two weeks. I’ve been working on things, just not entirely related to Anachromie. Besides, I was waiting for some supplies. Now that I’ve got them though, I call tell you all about it! Basically, after finishing with the face as I showed you in my last post, I started a series of experiments to decide what would be the best thing to do on Anachromie’s neck. You see, normally I would add scales made out of cloth, but I had a feeling that wouldn’t work on her. I tried, and I was absolutely right. It looked dreadful (I’ll attach a picture down below). It looked as if her surface was split into separate parts, they didn’t blend into the design at all. So I removed them and started experimenting with textured fabric, textured papers and clays.
After a while, I came to the conclusion that clay was the best option. However, traditional or normal polymer clay wouldn’t work, since one does not simply stick a half-built dragon head in the oven. So I turned to air-dry clay. The problems I had to face with this type of clay were that firstly: it becomes brittle once dry, and secondly: it shrinks. A LOT. So I needed something that was strong enough so it wouldn’t detach, crack or crumble if dropped or struck hard while being transported, and also something that didn’t shrink a lot. I tested quite a few different clays and mixes that I bought from here and there, and they all shrunk so much, they warped and deformed their cloth/paper base support. But in the end I prevailed! I found “the right stuff”. It’s a mix of two different air-dry clays: Cloud Clay by Amaco and Fimo Air Light by Staedtler. (I’m not sponsored or anything, just saying). These two clays are very unique (especially Cloud Clay) and I’ll explain why.
Cloud Clay is described by the manufacturer as “Light as air, non-toxic Cloud Clay comes in 10 colors and is perfect for ages 3 and up. This soft, puffy, and pliable modeling material is fun to squeeze and model. Formulated to have more “stretch” than other brands, the fibers in this clay will not break apart as easily when pulled”. All of this is true, but there’s more to it. It’s nothing like any clay I’ve seen before. Imagine a big chunk of marshmallow that could stretch like chewing gum, and there you have it, that’s what it’s like. It’s extremely soft, stretchy and bouncy. But the best thing about it is that it doesn’t really shrink that much. It stays pretty much the same size it was when wet, and not only that… it also doesn’t harden like solid rock. Instead, it retains some of the softness and flexibility, so this makes it VERY resistant to shock damage. Just what I was looking for! The only bad thing is that it’s really bad for details. When you push it down, it bounces back up a little (kind of like a marshmallow), but that’s when the other clay comes in!
Regarding Fimo Air Light, well… this one is more like traditional air-dry clays. The texture feels a bit different, crumbly and a bit irregular (I found that it needs a lot of kneading to be smooth). But it’s very light and it’s designed so the shrinkage is minimised. It’s supposed to shrink only 7%, compared to the normal 15% or so. As with any other regular air-dry clay, you need to keep it moist while you work or it will begin to harden up irreversibly.
Here you can see both clays before I mixed them. It’s two parts Fimo, one part Cloud Clay (ish). Also, here’s the picture I promised of Anachromie with scales. See how they don’t work? Normally, because you can divide dragon parts into head and neck (separated by the ear membranes), and then the plates on the lower neck, everything falls into place. But Anachromie is different. She doesn’t have neither neck plates nor ears, so it’s all part of one big thing, and it doesn’t look right if only a part of it has scales. But don’t worry, this it going to work! I will soon update you on the progress.