Whew! Anachromie is finished! I’m posting the final pictures of her below and she’s up for sale in the gallery now! Don’t worry, you didn’t miss much since the last post. The only thing left to do was grooming the beard, nothing special. I’m no hairdresser, so I just followed some simple tutorials on how to reduce hair volume and that’s it. Now, taking the final pictures and fixing them took me almost two full days of work. If you’re a photographer, you will know how tough it can be to photograph something that’s shiny AND metallic. Even the best shots had to be edited and “frankensteined” together so you could appreciate all details without weird glares and burns. But anyway, it’s done! Anachromie proved to be quite an interesting experience. I experimented with quite a few things: a whole lot of air-dry clay mixes, silicon moulds, the dewlap, adding hair… I learned a lot and it was lots of fun. For those of you who follow me, I hope you’re pleased with the result too, and please spread the word! I want her to go to a good home. Thank you all, I’ll soon tell you about the other project I’m working on now.
Bitumen of Judea. Oh, how I love the stuff. It smells lovely and gives a rich brown wash to things that you can’t just compare to anything else. It’s oil-based, so normally you have a reasonable amount of time to wipe it off until it looks nice. It’s a bit trickier when it’s a large piece like these dragon heads I make though. I ran into some trouble on one of the sides and I had to redo it. Being oil-based, I had to wait for about two days for it to proceed. It normally takes less time, but it’s winter and Anachromie sits on a cold and non-ventilated room. Once it looked good enough and it was perfectly dry, I gave her some nice highlights by dry-brushing, and finally, gave it a matt coat of varnish. I really like how the black wash made it look so “antique”, almost vintage. It’s quite appropriate too, since bronze dragons are the keepers of the sands of time!
Anyway, now everything’s all dried up and ready for the ultimate beard grooming session! I’ll leave you with some pictures of our favourite bearded lady while I was applying the black wash and the finished result. Regrettably though, it took a lot of effort to take a decent picture of her now. The metallic paint reflects a lot of light, and the varnish doesn’t help. I had to tweak the contrast so you could appreciate it without any weird glares and burns, and because of this, it looks a bit flat and plain. Hopefully it won’t be too hard to take the perfect final pictures after the beard is ready.
So, last night I was giving Anachromie her first coat of paint, when a not-so-unexpected problem happened. In case you don’t know or remember, the eyes for this dragon were drawn and painted by hand with markers (it’s all explained with pictures in this post). Even though they were proper markers, As soon as the water penetrated the fabric while painting with acrylics, the ink raaaan wild! Well, maybe not that wild, but it did run. So basically, I had to perform eye surgery after the paint dried to remove the eyes and replace them.
The new eyes look sooo much better than the old ones, I’m actually glad that they got messed up. Now, to prevent the same tragedy from striking again, I laminated the paper with plastic, glued it to the cabochons (glass domes) and sealed the sides used something that I very rarely use but that proved great for the task. I’m talking about Mod Podge’s Dimensional Magic. It’s a thick liquid that dries up to look like glass, pretty much like liquid clear resin. I think some clear nail polish could have done the job as well… maybe. I need to test that. But anyway! The eyes are now fixed and look fantastic!
Yay! The time has come to test the silicon mould and the clay mix. First of all, I dampen the surface with water and glue. In my experience, doing this prevents the excessive drying of the clay on one side, and thus, chances of cracking will be very low. The layers cloth and newspaper absorb A LOT of moisture very quickly, it happens when painting with acrylics too. Also, I had to do it because I needed to smear the clay into the cloth around the borders so it blended well into the cloth area, instead of looking like a chunk of something smooth on top of something different, if you know what I mean.
I added the clay onto the forehead first, then the left side and then the right. After that I went ahead and tried the silicon mould. I gently placed it over the areas and pressed down firmly. I had to do some manual adjustments and fixes, as the “joints” were very obvious, and some parts didn’t take the texture because I didn’t press enough, but that didn’t take me long. Here are pictures of the process:
Who can say when the postman will bring the supplies you ordered? Only time. Humans seem to know their planet really well. They’ve made a lot of advances on the logistics field, but even still it usually takes a long time to transport something across an ocean. I’m told the waiting times now are nothing compared to what they used to be. I guess I believe that, it makes sense. This world is so immensely vast, I can’t fathom the concept of travel when they talk about these kind of distances. It would be most educational to go somewhere really, really far away. Not on a plane though. Apparently being a plane is like being stuck in a sort of limbo, where you have no idea of where you are in comparison to Earth and you don’t know how fast you are traveling either. It really doesn’t sound very fun… but I’m set! I need to set off on a trip (by land) one day.
My apologies for not posting anything in the last two weeks. I’ve been working on things, just not entirely related to Anachromie. Besides, I was waiting for some supplies. Now that I’ve got them though, I call tell you all about it! Basically, after finishing with the face as I showed you in my last post, I started a series of experiments to decide what would be the best thing to do on Anachromie’s neck. You see, normally I would add scales made out of cloth, but I had a feeling that wouldn’t work on her. I tried, and I was absolutely right. It looked dreadful (I’ll attach a picture down below). It looked as if her surface was split into separate parts, they didn’t blend into the design at all. So I removed them and started experimenting with textured fabric, textured papers and clays.
After a while, I came to the conclusion that clay was the best option. However, traditional or normal polymer clay wouldn’t work, since one does not simply stick a half-built dragon head in the oven. So I turned to air-dry clay. The problems I had to face with this type of clay were that firstly: it becomes brittle once dry, and secondly: it shrinks. A LOT. So I needed something that was strong enough so it wouldn’t detach, crack or crumble if dropped or struck hard while being transported, and also something that didn’t shrink a lot. I tested quite a few different clays and mixes that I bought from here and there, and they all shrunk so much, they warped and deformed their cloth/paper base support. But in the end I prevailed! I found “the right stuff”. It’s a mix of two different air-dry clays: Cloud Clay by Amaco and Fimo Air Light by Staedtler. (I’m not sponsored or anything, just saying). These two clays are very unique (especially Cloud Clay) and I’ll explain why.
Cloud Clay is described by the manufacturer as “Light as air, non-toxic Cloud Clay comes in 10 colors and is perfect for ages 3 and up. This soft, puffy, and pliable modeling material is fun to squeeze and model. Formulated to have more “stretch” than other brands, the fibers in this clay will not break apart as easily when pulled”. All of this is true, but there’s more to it. It’s nothing like any clay I’ve seen before. Imagine a big chunk of marshmallow that could stretch like chewing gum, and there you have it, that’s what it’s like. It’s extremely soft, stretchy and bouncy. But the best thing about it is that it doesn’t really shrink that much. It stays pretty much the same size it was when wet, and not only that… it also doesn’t harden like solid rock. Instead, it retains some of the softness and flexibility, so this makes it VERY resistant to shock damage. Just what I was looking for! The only bad thing is that it’s really bad for details. When you push it down, it bounces back up a little (kind of like a marshmallow), but that’s when the other clay comes in!
Regarding Fimo Air Light, well… this one is more like traditional air-dry clays. The texture feels a bit different, crumbly and a bit irregular (I found that it needs a lot of kneading to be smooth). But it’s very light and it’s designed so the shrinkage is minimised. It’s supposed to shrink only 7%, compared to the normal 15% or so. As with any other regular air-dry clay, you need to keep it moist while you work or it will begin to harden up irreversibly.
Here you can see both clays before I mixed them. It’s two parts Fimo, one part Cloud Clay (ish). Also, here’s the picture I promised of Anachromie with scales. See how they don’t work? Normally, because you can divide dragon parts into head and neck (separated by the ear membranes), and then the plates on the lower neck, everything falls into place. But Anachromie is different. She doesn’t have neither neck plates nor ears, so it’s all part of one big thing, and it doesn’t look right if only a part of it has scales. But don’t worry, this it going to work! I will soon update you on the progress.
This morning the postman dropped off a rather large junkmail flyer. When I picked it up, that feeling of thin, rough paper inspired me to start working on the back plates. As I said I would do last time, I covered all of them with paper mache. Notice in the pictures how I added the top plate that goes over the forehead. I made that with air-dry clay. The surface smooth as it could be, but I still gave it a layer of paper mache to match all of the surfaces. Once dry, I confirmed it was just what it needed!
Now, regarding the face… Gosh. The face. It is fixed now. Not that I’m 100% happy with it, but I think it’s decent enough. I’m sorry I didn’t take pictures of the process to modify the shape, but I’ll explain. Basically, what I did was dampen the whole mouth over night by covering it with wet towels. In the morning, all of the materials were soft and moldable, so I stretched the mouth open by putting a long wooden stick inside, and then warped the shape of both jaws into a more natural way by putting strong rubber bands in different places of the mouth. I cut a few pieces of 3mm steel wire and shaped them to size so it wouldn’t deform in places I didn’t want it to. Think of those as braces. Then of course, I let it dry up, and to my surprise, it looked good! I wasn’t sure it would work at all, but it did. I don’t have exact pictures to show you a before/after, but you have to trust me, it was awful before.
Something I realised once it was dry, was that the lips were too full. I filled them up with bits of cloth (as I normally do) to make them look a bit fuller, but in this case it didn’t look right… it just didn’t. This dragon is smooth and sleek, and it needed flatter lips. So well, instead of dampen up the nose to fix it, I made all of the face wet again and ripped off both the nose and the lips. I cut, refolded and reshaped everything until it looked alright and then I let it air. Check the results below… what do you think?
Experiments. This particular dragon is a big experiment on its own, which is very exciting actually. As you can see, I added the skin with cloth mache (cloth dipped in PVA glue). I must say though, if the face was looking derpy before adding the skin, now it’s like twice as bad. The nose is hideous, but the lips are twice as bad… I definitely need to do something about them. Anyway, I decided to begin working on the back plates. First, I drew where they would go with a marker. Then I just cut exactly six pieces of cardboard in slightly incremental length and width, and bent them until I was satisfied with them. I proceeded to use hot glue to secure them to the dragon, and made the top piece that goes on the forehead with air-dry clay.
While the clay dried up, I made an experimental mix of paper clay consisting of toilet tissue, water, all purpose ready-mix filler, simple flour and PVA glue. With this paste, I added some volume to the ends of each back plate and let it dry.
I’ll tell you something… that paper clay dries hard. VERY hard. And unfortunately, very irregular as well. Even though I tried to even the surface as much as possible, in the end I decided to give it a few layers of top quality shellac-based primer/sealer to ease those imperfections.
It helped, but not a lot. So I decided to pull out the Dremel (rotary tool) and gave it a gooooooood smoothing. In the end it looked much better, but not perfect. I think I’ll cover everything with paper mache. By the way if you noticed how Anachromie is now missing her nose and her mouth looks different… don’t worry, I’ll explain everything in the next post!
So I put the mouth together, attached cheekbones, made the lower jaw’s cheeks extra puffy, glued the eyes in and topped them with eyebrows… and STILL. Still, she’s looking square, boring and derpy. Especially derpy. Anyway… I prepared the shield, drilled it and secured the neck to it, then proceeded to attach the head to it with wire, hot glue and lots of tape. I also added the chewing side muscles and made the throat look more natural.
Now, Anachromie has very large and long jowls hanging all the way to the base of the neck. To do this, I just cut a bunch of pieces of steel wire, shaped them and glued them in a way that made sense. It’s not 100% faithful to the original model, but I need to make it look nice enough and the base needs to fit within the oak shield, so there you go. I am curious to see how it will look when I cover it all with cloth! Are you too?
PD: Even after all of that, it’s still looking derpy. Gah!
Things happen. Sometimes they’re good things, sometimes they’re bad, but things keep on happening whether we like it or not. It’s up to us to decide how to take them. Each of us (regardless of species) is different, so we will perceive things in all sorts of diverse ways. For example, my printer has a life of its own and it decided not to work no matter what when I was trying to print the eyes for the next two dragons (yes, I have already decided what the next one will be like!). So instead of cursing and bashing it with a hammer, I grabbed some colour markers and decided to experiment!
I drew the outlines of the eyes using a 3H pencil and the cabochons (glass domes) as reference. Then I started working on the tones, from lighter to darker colours, and finally added the black slit pupil. I did the same for the other set of eyes I might be using on the next dragon, but we will see. After that, I put a blob of PVA glue on the eyes and pressed the glass against them really hard to get rid of air bubbles, then let it dry and cut them loose.
I still had teeth left over from the last batch, so I didn’t need to make new ones, but I did have to make the horns -obviously!-. Sorry I forgot to take pictures of the paper mache base pieces, but I made them the same way as usual (which I’ve shown in other posts, if you’re interested). I hollowed the pieces and cut the head open to make the jaws. The mouth in this case follows a pretty straight line… I hope it won’t look boring in the end. I made the horn cores with aluminium foil first, then conditioned the Fimo clay, wrapped it around them and shaped them properly. I baked the clay til it was ready and I decided to give it a bit of texture resembling the model (horizontal lines around the horns instead of vertical) by sanding them and making semi-deep scratches with some steel wool. To make the horns look more natural, I aged them using my beloved bitumen of Judea, thinned down with proper old school turpentine.
I must say, am NOT happy with the shape of the mouth at all. This dragon is supposed to have a very pronounced under-bite… and it does, but it makes her look insufferably derpy. We will see…
Last time I published a post, I had the core structure ready for the horns and the skin, and that’s exactly what I’ve done today. I safely wrapped the shield in plastic and tape and proceeded to cut strips of fabric and dip them in PVA glue. For the neck plates I used tightly-woven fabric that likes to stay rigid, and for the rest of the skin I used a more gauze-like kind of cotton. It formed bubbles, which made it all the more awesome, since this dragon is very lumpy, and also it’s going to be covered in clay scales that will smooth out the surface and hide imperfections. I also covered the ear membranes with fabric, as well as part of the back of the neck.
I could still see the red markings I made in my last post marking where the horns would go, so I cut the base to adjust to the angle and glued them with hot glue. Now all there is is adding the clay bits, the fabric scales, nostrils and paint (he’s going to be black and red)… stay tuned for updates on the progress!